幾重にも描き重ね
ふとした瞬間に一枚の絵として繋がる表現がある
空気と相談しながら、一本の線を引き
あとは偶然に身を委ねる表現がある
どちらも なんともどうにもならない 未熟を教えてくれる
![](http://miinaho.info/wp-content/uploads/2021/02/shouseien.jpg)
I also express my inner / hidden emotion by replacing painting works called Bokusho ( avant-garde Japanese calligraphy drawn with black ink:sumi ) which is one of the methods of Japanese painting (Nihonga).
With sumi stick as a part of painting materials, I use mineral pigments and other materials glued together to create original deep black color to meet my purpose of expression in each situation. My original sumi color has gained a great reputation.
![](http://miinaho.info/wp-content/uploads/2021/02/buna.png)
墨・銅粉・本朱、画仙紙
![](http://miinaho.info/wp-content/uploads/2021/02/shunkunitai.jpg)
![](http://miinaho.info/wp-content/uploads/2021/02/mizunara.png)
現場で描く
そこにある空気と
そこに生きる動植物と
会話しながら・・
できれば
香りと湿度も描きたいと思う
「ミズナラの海」2013
墨、岩絵具など、画仙紙_表具/稲崎昌仁
![](http://miinaho.info/wp-content/uploads/2021/02/top_2-2.jpg)
![](http://miinaho.info/wp-content/uploads/2021/02/rera_gaku-1.jpg)
![](http://miinaho.info/wp-content/uploads/2023/09/HP_Stage-Ⅰ-2.jpg)
墨、銅粉、本美濃紙(美濃竹紙工房)
![](http://miinaho.info/wp-content/uploads/2023/09/HP_stageⅡ-2.jpg)
墨、銅粉、本美濃紙(美濃竹紙工房)
![](http://miinaho.info/wp-content/uploads/2021/02/odayaka_gold-1.jpg)
墨、銅粉、画仙紙_表具/稲崎昌仁
![](http://miinaho.info/wp-content/uploads/2021/02/odayaka_silver-1.jpg)
墨、銅粉、画仙紙_表具/稲崎昌仁